Elizabeth Barret, Archive Director

Barret is a native of Hazard, KY and a graduate of the University of Kentucky.  Her documentary work has screened at festivals and venues worldwide, including her self-reflexive exploration of issues of media representation, the award winning Stranger With a Camera (2000). Most recently Barret served as Co-Director and Co-Producer on the documentary Portraits and Dreams. Barret’s work is shaped by the history, culture, and social issues of Appalachia.  She is part of the founding generation of Appalshop filmmakers, and as Archive Director she has secured grants for a range of projects that safeguard and improve access to Appalshop’s Archive as well as for initiatives that engage the public in discussion and reflection on shared history. 

Caroline Rubens, Archivist

Rubens joined the Appalshop staff in 2007. She manages Appalshop’s archival holdings, facilitates access to the collections, and works with the Archive Director to plan and execute public programming. Rubens holds an MA in Moving Image Archiving and Preservation from NYU’s Tisch School of the Arts, and advocates in various forums for the preservation of independent and community media. She believes that enriching the archival records of historically underrepresented groups encourages new scholarship and understanding, and helps communities and individuals to re-envision the future. While a native of northern New Jersey, Rubens is happy to call eastern Kentucky home. She is, however, still a Mets fan.

Past staff acknowledgements

Shawn Lind, Archive Technician: Shawn Lind made major contributions towards improving access to the Archive’s catalog by inventorying the vast film and video collections, managing and performing the digital transfer of obsolete media, and helping to physically stabilize and perform upkeep on the collections.

Dwight Swanson and Chad Hunter, Archivists: The Archive’s first two professional staff archivists, Swanson and Hunter took essential steps in stabilizing the collections by managing construction of a climate-controlled vault and establishing an item-level inventory system. They also established a film preservation program for the organization’s earliest documentaries and musical recordings, and created re-release projects to connect Appalshop works to new audiences.